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"Snowflake"
This film is set in a dystopian future, the year 2084, a hundred years after Orwell’s dystopian fiction “Nineteen-Eighty Four” (1949) which predicates a bleak future under totalitarian control, technological power and class discrimination. The idea behind my film came from Orwell’s nightmare visions but also Aldous Huxley’s “Brave New World” (1932). If I was to do this project again, I would have developed Caitlin's character more and shown her creating anarchy by the end, as a resolution to the conflict and as the final part to the three part paradigm, the whole reason for the film being called “Snowflake” was not only to tie into the Christmas theme, but to contradict Piers Morgan’s recent observation that millennials are part of ‘Generation Snowflake’ a neologistic term coined to write off the youth of today as weak, lazy and ‘easily taking offence’. In this film I hoped to convey that our generation do care, but we are just as much trapped in the society that the older generation and the generations before them have bestowed upon us. Life's A Beach
A simple stop-frame animation highlighting the topic of immigration in an artistic and abstract form. Mass migration is on the rise and rather than our communities become 'multi-cultural' it seems the opposite is happening and people are becoming segregated. Is this because we don't want to branch out into the unknown and we prefer to stick with what we know? Or is the media creating a social climate where we simply can't talk? |
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Lady Marmalade
Music video, we had to show we could relate lyrics to video. Filmed mostly in a day because we are stupid and didn't realise that it was the deadline day. As you can see Keegan is very enthusiastic to be grinded upon by my good self! Featuring clips of the Donut van. (www.donutdollies.co.uk) |
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A Promotional video for Penwith Radio
Filmed by Bevan Hewson Edited by Tamara Stidwell. |
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Donut Dollies.
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A video I made last summer showing what we get up to with my Mother's business "Donut Dollies".
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Bob Geldof Interview.
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This was a radio interview with my Grandad about working for Bob Geldof in Sudan put top archive footage from the BBC's coverage of Live Aid 1986.
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